The Black Snake

Big Wind  |  They/Them

The Black Snake

Wyoming, USA
Montane Grasslands and Savannas

Session 5: February 2, 2023

Hii3eti Nohobe3en, Hiiseisii Niicie Nee’esih’noo. Hiinono’eininoo noh hoteinicie.1

For millennia, we have all relied on a stable climate for our way of life, the way that we’ve hunted, gathered food, medicines, and planned on living in a community. Now that’s all at risk. The world is becoming warmer and warmer. Hurricanes and disasters are becoming more frequent than that we’ve ever seen. We’re gathering here today because our lives depend on it, and we have a duty to act, because our home is on fire. No more business as usual. Now I’m going to share a story with you, to give you a window into why I’m involved in this movement. 

I want you to imagine that you’re waking from a deep sleep, and as you’re opening your eyes, you see the orange and pink hues tint the very edge of the horizon. You are in a tipi, and you can see the sky through the open flaps. As you’re waking up, you hear an indigenous woman joyfully shouting, “It’s Indigenous People’s Day! Rise with the sun! We are meeting at the South Gate for morning prayer. Get up! It’s a new day.”

The birds are chirping, the women are singing, the children are playing, you smell campfire and food. You are at Oceti Sakowin on the Great Plains.

Now, as you gather at the South Gate for morning prayer, you hear that there are invaders coming—coming to desecrate sacred places. People are buried there. People have picked their medicines there year after year, and to think that that wouldn’t be there for your descendants… You decide to venture out with your sister and people who’ve gathered from all over the territory. You’re one of the first on the ground. A tipi goes up. Tobacco ties are wrapped around the tipi, and you are asked to represent the Eagle in the ceremony of the Eagle and Condor.

Now, as you’re standing there with people who’ve gathered from all over the world, and as people are singing and dancing to join forces, you’ll notice that there are armed soldiers arriving en masse at the road. In Hinónoʼeitíít, our sacred language, the Arapaho language, these people are called “touk(u)3eihiiho’”—Those who tie you up. They tell you that the land has been purchased, and even though your blood is from the very land that they stand on, you’re no longer welcome, and they threaten to arrest anyone who decides to stay. 

You are filled with emotions. You start walking towards the road. Once you make it to the hillside, you’re looking for your little sister when you notice that your little sister is with fifteen others inside the tipi that was put up on treaty land. Your sister is the first one to be arrested. They slam her to the ground and then drag her away. 

How are you not supposed to protect your sister? How are you not supposed to protect your land?

I’m here to tell you that the events in this story didn’t take place 100, fifty, or even ten years ago. I’m here to tell you that this took place on October 10th, 2016 in North Dakota. I was the Eagle in the ceremony. My sister was the first one arrested, on what some people call Columbus Day. 

Over the next several months, more and more people would be violated by the mercenaries that protect what we call the black snake. The black snake takes many forms. It’s oil, gas, all fossil fuels that jeopardize our relationship with Mother Earth. Over the next several months, over 1,000 people would be arrested in the process, listed as troublemakers, wrongdoers, terrorists, when they were just trying to protect the land from this inevitable climate change. 

My people, the Arapaho, tell traditional stories of a time to come when we will see great destruction, and a great fire will make the world so hot that it could kill everything if we remained idle. I would imagine these stories were talking about climate change. After all, as we said, the world is heating at an unprecedented rate.

And so, in the midst of the sixth mass extinction, we all have to take steps towards a more equitable and feasible future. I’m a water protector who’s been fighting in the front lines, at Standing Rock and Line 3 and various other fights in Turtle Island with ordinary people just like you, because we understand one thing: we cannot ensure the health and well-being of future generations if we don’t take action. 

Thank you.

In Arapaho: “Good to be here. My name is Big Wind River. I am Northern Arapaho from the Wind River Reservation.”


Big Wind is a Two Spirit member of the Northern Arapaho tribe from the Wind River Reservation. At a young age, Big Wind recognized many injustices and degrees of oppression within their community. They became involved in youth and climate leadership at the age of 13 when they learned of environmental injustice happening near their home. Since then, they have worked on numerous campaigns throughout “Indian Country” including DAPL, TGP, & Line 3. They are currently the Indigenous Stewardship Associate for the Indigenous Land Alliance of Wyoming. Follow them on IG @bigwindriver & @indigenouslandalliance.

Blob

Arth  |  Any

Blob

Mumbai, India
Mangroves
Marine/Coastal
Urban

Session 5: February 2, 2023

Hitting puberty was hardly biological, quite hormonal, and very political: a cycle of extremities. Seven days of bleeding from down there, with weeks of crying at the periphery. Seconds of discovering the elation of belonging before it collapses, and people frown on your tiny little too-abnormal self in a tiny little abnormal world. Two years ago was a different world, one crisis less, a 14-year-old gendered blob who’d stare blankly into familiar faces because everything was a crisis and underwater, and there was nothing she could do.

Flash forward to now: a 16-year-old genderless blob, awakened in the sense of the ecosociopolitical internet educational course. A nerdy high school student with several jobs and years’ worth of project ideas crammed into months because everything is urgent, and they are an underwater observer to perpetual human rights violations, life leaving bodies, systems crumbling, all on a screen on the internet, and they think it’s real. Because the coastal line is really being encroached on IRL, locally, because journalists and activists are really in jail, because it is a very real prediction that this city and its metaphorical bowl of urbanity will be underwater by 2050. And breakfast doesn’t taste the same.

And now that this 16-year-old blob finally has something to do that is not staring at the fake stars of their bedroom ceiling, they are going to spend their every waking moment working, volunteering. Lone. A singular blob. Because interdependence is an exotic utopia on his tongue, a spice she’s never tasted, and they’ve only grown up on elusive sips of independence, a bull’s eye on a billboard. And so they’ll keep filling forms after forms, trying to help everyone and anywhere where the future needs it, because people are hard to comprehend, because society is hard to comprehend, because people are dying, because this blob needs to reassure her adults that her future trajectory is a viable source of living. Because they need to pay for their undergrads. Because foreign lands may hold the key to a safe space. Because if they work hard enough, the future may still be—there, here. Because if they work hard enough, the thoughts may finally leave their brain, and my search history has “university options” and “climate apocalypse book recommendations” one below the other. Because which artist can deal with student debt? Because which environmentalist can deal with student debt? Because which human can deal with perpetual death?

I distinguish the last syllables of “debt” and “death,” thinking vaguely of the distinct letters of the Dravidian script, even though English is my first language, even though Hindi is my second, even though Konkani is my third, and that each time I try to speak it, my endangered maternal language, the syllables warp on my tongue, drowning in its own curious thirst—a grief that tastes like over-salted commercialized fish grease. I’ve heard that “grief” is a verb. I’ve never felt the loss of a loved one. Yet this, it feels like grief, anger, angst, anxiety, existentialist dissociation. But there’s no space to feel that, not in a busy city, not in Mumbai, where urbanity can look like plastic being banned, only for a plastic bag to float past your butt in a flood—but actually, it might have been a sly hand. Pat. Pat. Pat. Actually, it’s better if it was a plastic bag.

Nature is a heritage of stories I’ve never lived. Urbanity is the only place I’ve lived in as a home. Urbanity is lonely and full, full of opportunities to meet new people who’re just like you. Who’ll still always come to help in times of crisis. Here, something is always on the horizon. Always on the clock. Always on the agenda. Smoke, love, water, unity—each as evasive. I hope whatever it is, it will save us.


Arth, 16, is a social sciences student, multidisciplinary artist/writer, and an intersectional climate justice advocate. They’re also the founder of The Diversity & Inclusive Collective, a community of diverse creatives from South Asia. When they’re not reading or doing any of the above, they’re philosophising to their camera.

The Flyer

Ryann  |  She/Her

The Flyer

Canada
Temperate Broadleaf and Mixed Forests

Session 4: January 30, 2023

When I was about nine years old, I was walking past a department store on a main street in my city, and there was a protest taking place just outside. At the time, I didn’t even know what a protest was, but looking back now, that’s exactly what was happening.

I was a very curious nine-year-old, so I crossed the street with my mother, and I approached the protesters. They were protesting a brand being sold at the department store that was using animals for their fur trims on their jackets, and they gave me a flyer when I approached them and asked for one. As I walked away, I took a look at that flyer. I was shocked, because it detailed the fur industry—an entirely new concept to me. And it was from that experience that I went on to learn about a variety of other animal rights issues.

That experience… it sat with me for so long, and it still does. It is the catalyst of all that I do. I was immediately motivated to get involved.

Now you may be asking yourself, how does this relate to climate?

Well, during the pandemic—as I think a lot of us did—I had time to sit down and explore what mattered to me, and it was through this time that I had the chance to learn about the connection between animals and the climate. I realized just how interconnected everything is, and how we can’t afford to look at these issues separately. From there, I started getting involved in the climate movement: I began diving deep into advocacy, attending negotiations like the 2022 United Nations Biodiversity Conference (COP15) in Montreal last month, and more.

Everything that I do in the climate space stems from that one experience. It deepened my connection with the living creatures on this earth and just made me realize how interconnected we all are with each other. We cannot see ourselves as separate. We must see ourselves as connected with nature, with animals, with everything around us. And I think that experience I had as a child has just reinforced that perspective and allowed me to understand how important this mindset is. Even now, when I attend these conferences, when I do the work that I do, what’s at the back of my head always is how important it is to see ourselves, not apart from nature, but a part of nature.

Thank you.


Ryann is a youth animal and climate advocate, research assistant, and high school student from Toronto, Canada. She has advised companies and organizations on sustainability and youth inclusion, has attended COP15 as a delegate, and has spoken with parliamentarians regarding addressing animal agriculture’s connection to climate change.

Childhood Memories

Pervez  |  He/Him

Childhood Memories

Pakistan
Deserts and Xeric Shrublands

Session 4: January 30, 2023

My name is Pervez Ali, and I am from Pakistan. I will start with my own story, as I am one of the climate refugees from the floods of 2010. I was seven years old when that disastrous monsoon came to us. I lost my house—the place I was living, and the place where my siblings and I used to play. I was out of school for seven months. And now I carry that story, or that memory, everywhere I go. 

So I will start with what happened at that moment, how it felt to live through that experience, and how I evolved to become a climate activist, representing my country at the international level, including at COP27 in Sharm El-Sheikh, Egypt.

It was 2010, and I was studying in grade five. In one of Pakistan’s first climate disasters, the flash floods hit at least seven sub-states, including my own Gilgit Baltistan, which is remote and mountainous. It was midnight when the flood started, and we were forced to leave our house, to move to safer places without even the essentials to eat. I remember the chaos: my mother was suffering from a cardiac disorder, and we were not even able to take her medicine. I was out of school for seven months, because my school was destroyed. We weren’t even able to communicate with relatives who lived nearby. We moved into my grandma’s house and stayed there for three months. Then we moved to the city so that I could receive education.

At the time, I wasn’t well aware of climate change as a concept, because in our country, the religious path is often followed. But later on, in 2015, we experienced another monsoon rain and more disastrous flooding, and we completely lost everything again, including our house. Some officials from UNDP and UNFCCC came to help, and I learned from them about climate change. I started to understand that we needed to adapt. Something clicked in my mind: I thought, “How can I be a part of this process? What can I do to bring awareness and good things to my people?”

Those are my childhood memories, so my connection with climate activism is very personal. I also understand in a very personal way that we were so unable to cope with that environmental crisis due to the other political and financial crises already facing our country. Because of my experience, I feel sensitive to what others are going through—like in Sindh province, which flooded in 2022, and Khyber Pakhtunkhwa, which is under a severe financial crisis and also dealing with flash floods from monsoon rains and overflowing glacial lakes.

I eventually moved to Islamabad, the capital, for further studies. I learned how to join and form organizations, and how to lead projects. I made a lot of friends, and we are working to increase climate awareness among the people. Because in Pakistan, climate literacy is low: 69% of people are unaware of climate science—they see this as an act of God. That’s one of the biggest issues currently facing our country. In 2019, I joined Fridays for Future as a member. And now, I’m the country coordinator of Fridays for Future Pakistan.

I made my way through the struggle, coming from an indigenous community to the city, making my own way and making my own place. I started out as a climate refugee, and now I represent the sufferings of my people, and of other climate refugees, on an international level. I think this is my unique story. Thank you.


Pervez is a 19 year old climate activist coming from the obfuscating mountains of the northern areas of Pakistan. As one of the climate refugees back in 2010, Pervez has been working on ground to help the climate victims to revitalize and learn about climate change and its impact on indigenous communities. Pervez has been working with Fridays For Future Pakistan as country coordinator since 2018 and was one of the founding members. He has also represented Pakistan in many national and international forums such as COP27.

B-R-E-A-T-H-E

Kelly  |  She/Her

B-R-E-A-T-H-E

Washington, DC, USA  |  Chiang Mai, Thailand
Tropical and Subtropical Moist Broadleaf Forests

Session 4: January 30, 2023

You can hear me, but can you see me?

I invite you all to close your eyes, breathe in deeply, hold your breath, and slowly release.
Imagine
Imagine that as you walk in a garden, the earth caressing your every step like a devoted mother,

You glance about the trees and flowers, observing dust coating their leaves and petals
Their colors dulled to a gray, white, black

Imagine spotting a dragonfly, its diaphanous wings layered in soot
Imagine that the air you just breathed in was so toxic that it causes stillbirths, miscarriages, impaired brain development in children, and can lead to lung cancer, heart attacks, and stroke, and carves out at least two years’ off of your life
Imagine that in Thailand, a country adorned by adulations for Buddhism, you are unable to sit
sukhasana and meditate under a tree as the Buddha did, your core spiritual practice now a risk factor
Imagine being unable to take a full, satisfying breath, unable to feel the words, the letters roll around in your mouth,
b-r-e-a-t-h-e
Imagine a COVID-free world yet only glimpsing concealed faces of fellow human beings, half covered by N95 masks, at least on those able to afford them

I invite you to open your eyes.
Look around the room. Air pollution is an inherently social issue, latticed across nodes of capitalism, greed, racism, class, caste, and biopower
Where your bodies are not your own, where the privileged hook HEPA filters to their outlets and couple their circadian rhythms with dehumidifiers, connecting one’s refuge to products used to “purify” our air, to “clean” our air, when it was capitalism that drove us to this decrepit state in the first place

Imagine, again
Imagine duct-taping the loose windows of your home, terrified your parents will develop lung cancer from repeated exposure to airborne fine particulate matter less than 2.5 microns, or PM2.5
You insulate your loved ones as best as you can
You avoid the outdoor cafeteria at your elementary and high school
You miss the sound of children laughing, of basketballs bouncing, as students aren’t allowed to play on the courts, in the playgrounds, because the air is too toxic for outdoor physical activity
You swathe yourself in a commodified cocoon, aware that you live on pickpocketed time,
That your family is no more deserving of clean, fresh air than the next family

In this land, where capitalism drives the merry go round,
Extraction dictating human action
Existence an afterthought
Ego, the driver
You are maybe seven or eight years old, yelling, “See me, Daddy, see me!”
Eager to present to your father your latest playground choreography
Monkey bar achievements
You pick up the most suitable stick you can find for exploring and walk
Hand-in-hand with your father along your usual path
But what if your father can’t see you anymore?
What if “See me, Daddy, see me!” is a warning sign?
Toxic air rendering your usual path terra incognita
Your skips no longer buoyant

Imagine, though, that the buoy has not yet left your grasp
Because
Still, the Land breathes. A kaleidoscope of wildlife unfolds as the sun rises. Birds talk gleefully between branches, eyeing earthworms that burrow deeper into their sanctuary. The monarch butterfly pays respects to the jasmine, kissing it gently before bidding farewell to visit the hibiscus on its daily royal passage—bees and leaves its entourage. Snails sit on wet barks, camouflaged with neighboring rocks. Beneath the wide sky and messy humus, trees’ roots sink deep into the waterbed. The mahogany, palm, lamyai, jackfruit, and rose apple trees exist in majestic interdependence with the earth, months without rain not dampening efforts to thrive.

Also
Still, the Thailand Clean Air Network puffs and pants, an assuring embrace of values-driven advocacy and activism
Of storytellers, street food vendors, physicians, and lawyers linking arms to slay the slow violence of air pollution
To build a tabula rasa for our air,
Our silent, sine qua non (sin-letter A-qua-known) sanctuary
Bridging data points with persistence, culture and sabai sabai with truth
To b-r-e-a-t-h-e,
This is the pulse,
The homage to homes of quiet and cacophonous creatures alike
The circular value system that turns foggy ghosts into sincere smiles
The “See me, Daddy, see me!”


Kelly is a public health researcher and storyteller with demonstrated leadership and diverse experience in healthcare research, academia, and public health nonprofit work. She has studied and worked in the United States, Thailand, Morocco, and South Africa and collaborates with colleagues and organizations across Asia and the Pacific. Kelly is a 2022 Emerging Voices for Global Health fellow, a Wedu board member, a Brown University Information Futures Fellow, and an adjunct professor at UNC Chapel Hill. She holds an MPH from UNC Chapel Hill and a BA from Vanderbilt University.

Don’t You See the Water?

Fidaa  |  She/Her

Don't You See the Water?

Ramallah, Palestine
Mediterranean Forests, Woodlands, and Scrub

Session 4: January 30, 2023

My story takes place in the Jordan Valley of Palestine. The Jordan Valley represents 30% of the West Bank, and 88% of the Jordan Valley is “Area C.” That means that this land is for Palestinians, but is under Israeli military law. And what does that mean? I’ll tell you the story…

So I used to do a lot of theater and storytelling work with communities in the Jordan Valley. We heard so many crazy stories from the people living there, under military law. And this made us crazy and sad, even angry. We started to wonder, as artists, what should we do? When we watched the community storytellers tell their stories, all the time they felt like this (she makes a cowering, sad gesture)—you know? And we wondered if we were just helping them to be more sad by telling sad stories. And in some cases, that was the reality.

But what about the Jordan Valley before Israeli military law?

We went hiking here and there, here and there, and we found a very crazy, beautiful, salty river, which has a lot of hot springs. If you come visit, you can bathe or swim in this very hot, salty water—maybe that’s something you’ve never experienced before in your life. And next to the river is a traditional old hotel in the middle of nowhere, for people who want to enjoy the river. On the side of the hotel, there grow many types of grass and wheat—there’s even a water mill, with a wheel for grinding wheat. The river is a natural resource for all types of birds, and animals, and people.

I was so happy to discover this place. I called my friends, who lived in Ramallah, Bethlehem, the Hebron area, in refugee camps in the West Bank of Palestine. “Come, come, come with me,” I said. “Come over. We want to invite you to this place we discovered in the Jordan Valley.” And they came—a group of artists.

And when they got out of the car, they looked around and said, “Fidaa, where is the water?”

And I said, “Oh, don’t you see the water?”

And they said, “No.”

I said, “Are you crazy? You can’t see the big, huge channel?”

And they said, “We see that, but it’s dry.”

I said, “You are here to see the water. We are trying to bring back the life we lost here—the plants, the animals, the stories, the people—the community.”

And my friends looked at each other, and they looked at me, and said, “Are you just asking us for impossible things?”

I answered, “No. I’m asking every one of us to imagine. Imagine the past, before the military came here. Imagine the salt water, and the bathing, and the fun.”

Then we went to the community, and we asked them about what had happened along the river. They told us amazing stories, about the plants and the wheel and the wheat and the flowers and the food and the dance and the songs and the amazing tea from a sweet, sweet spring. All these things we discovered. This life.

We also discovered how the Israeli military had planted a huge iron stick in the middle of the spring, and how they would come by every day in a white car to measure the water levels. The local people didn’t really know science—they hadn’t been to university. They were farmers. They didn’t know what the military was doing to the spring or how to stop them. And day by day, month by month, they kept coming, and then—khalas. The water started to go down, down, down, and then, eventually, there was no more water.

But we succeeded in bringing that life back, through our imagination, by listening to these stories. My friends and I created an artistic trail called “From Salty River to Sweet Spring,” where we invited Palestinians and international guests to come walk along the riverbed and learn some of its stories.

However, we never want to forget that, in reality, this salty river is empty today. There is no water there. And that means a lot of birds, animals, and plants are running away, or disappearing, you know? A lot of people. With our own eyes, we can see how colonization and occupation affect the environment and the culture and the nature. It’s all connected. Since the time of this story, even our trail signs and story markers have since been destroyed by the Israeli military.

But to this day, we are still walking, imagining, creating, and sharing our beautiful Palestine.


Fidaa is a storyteller. Her grandmother, forcibly expelled from her home and homeland in Al Bourj Palestine in 1948, would tell her stories. As she listened, Fidaa would fly with her imagination across borders, across the occupation, to freedom. Traditionally, women in Palestine told stories in private, not in public. But Fidaa tells stories in public, using them as a tool for survival, to pass on the anthropology of her people, to prove their existence and resistance. She holds a bachelor’s degree in education and psychology, diplomas in drama and education and playback theatre, and an MEd in Integrated Arts from Plymouth State University (NH). Fidaa has produced and performed shows in Palestine, Europe, America, and the Arab world and performed in numerous festivals across the globe. Fidaa has founded or co-founded a number of groups including the Art and Activism Residency, Hakaya Group to revive traditional Palestinian storytelling, Arabic School of Playback, Women’s Theatre at Burj Al-Barajna refugee camp, The Rain Singer Theatre at Tulkarm refugee camp, and the Palestinian American Children’s Theatre (PACT), and heart Al Risan Art Museum (hARAM). She is a Drama in Education Specialist and Faculty Member at the Arab School of Playback Theatre, a member of ITC4 in New York, as well as a puppeteer, filmmaker, and director. She has directed several short films which have been shown in Palestine, within the United States, and in Italy. With Seraj Libraries, she is running the National Storytelling Center in Palestine and teaching\directing the Storytelling Academy. She is also a Fellow with Georgetown’s Laboratory for Global Performance and Politics, and she teaches Arts in Education, arts in public, theatre, storytelling for anyone who would like to learn.

Haze

Dunja  |  She/Her

Haze

Belgrade, Serbia
Temperate Broadleaf and Mixed Forests
Mediterranean Forests, Woodlands, and Scrub
Urban

Session 4: January 30, 2023

Stefan sits, staring at the distance. 

(This is a metaphor. There is no real distance: the line of sight stretches only a few meters beyond the window. The smog covers everything. Through the dark and heavy haze, it is difficult to glimpse human figures.)

Today we were informed that 200,000 new climate refugees had arrived in our city. That means 200,000 new masks: protection not just from the virus, but from the air itself. If they think our city is a good place to live, I wonder what they left behind. 

Stefan’s voice interrupts my writing: “Dunja, do you remember COP27?”

His voice reaches me. It’s no longer the deep and masculine voice that it once was. It’s heavy, weak, shaky, as if he’s struggling for air.

Of course I remember, but I choose to stay quiet. The silence is telling, self-punishing. How could I not remember gorgeous Egypt? The seven colors of the sea, overflowing and playing in the sun. Nature, begging to be set free. An environmental activist, convinced that we could stop the dying clock of nature. 

What did we get wrong, I sometimes wonder. Tick Tock. Tick—year. Tick—year.

“No Stefan, honey, COP27 never happened. It was just a dream.”


Dunja is a Serbian youth climate activist. She was a Serbian representative to Pre-COP26 and UNICEF COP27 delegate. As a UN Serbia Youth Advisory Group Member, she works on youth engagement in climate action. Currently, she is serving as a Vice Lead Coordinator for YES Serbia network.

Exotic Beings

Clara  |  She/Her

Exotic Beings

Oeiras, Portugal  |  Rio de Janeiro, Brazil
Tropical and Subtropical Moist Broadleaf Forests
Tropical and Subtropical Grasslands, Savannas, and Shrublands
Mediterranean Forests, Woodlands, and Scrub

Session 4: January 30, 2023

I’m Clara. I’m currently living in Portugal, but I’m from Brazil. And my story is a bit about that. So I’ve had this conundrum of colonization and exotic species in my head for a long time. When I was younger and people asked me to introduce myself, my nationality was never part of my answer, not because I’m ashamed of being Brazilian, but just because I don’t think that this says who I am. A nationality, for me, doesn’t encompass my traits, my aspirations, my accomplishments.

But moving from Brazil to Portugal, it was inevitable that my nationality was put on the table every time that I opened my mouth, because my Brazilian Portuguese accent is self-explanatory. Moving to Portugal was the first time that I started receiving glances of “you don’t belong here.” It’s unsaid. It’s not something that the person needs to say. I just feel it, and I had fortunately never experienced that before in my life.

But that didn’t make me sad, and it still doesn’t. Every time I’m in a situation like this, it just leads me to reflect on something else: what is this thing about belonging? For me, it’s an idealistic thing about belonging to a site. Because my ancestors came from the Atlantic rainforest in Rio de Janeiro, from the Black Forest in Germany, from the savannah in Angola, from the scrublands in Portugal. I think that I’m from nature. I’m not from one country on its own. Yet, my passport says that I’m from one country. I’m very grateful for the fact that I grew up in beautiful, tropical Brazil, but I feel like my heart knows no boundaries.

I don’t deny the fact that I was born and raised in the global South. That’s the worldview that I have and that I carry with me. But I also dare to say that the global North is also my home.
I don’t take sides with one or the other. I take the side of Earth—you know, the tiny blue dot, floating around the galaxy, which we all care so much about. The one we’re all here on behalf of today.

But that also doesn’t mean that I forget the past, this act of colonization. I don’t know if you’re aware, but the name “Brazil” derives from a plant. The pau-brasil was a plant which was extracted until it nearly went extinct in Brazil. The country carries the name of its colonial roots, and the word brasileiros, which is how we say “Brazilians” in Portuguese, were those who extracted the pau-brasil, the tree. So every time I think of the name of the country I am from and the name of my nationality, I think of that.

When I was a kid, I would cry or be sad at home after history classes, when we learned about human slavery in Brazil, and I didn’t understand how that could have happened. And it still happens in some places. I also still cry about the slavery that our nature lives under—this forced appropriation or removal of something from its original place.

This is another part of the conundrum, because even though plants can be exotic in one environment—the pau-brasil is totally an exotic plant here in Europe—is the idea of “exotic humans” also a thing? I don’t think so. I feel like I’m an adaptable being. I feel like I’m able to find parts of myself that I can identify with in every environment I go to. In some, if I were to be a seed, I might be planted and flourish more easily. In others, I might take longer to grow fruit (especially in colder environments), but for me, nature is nature, and I can find ways to thrive in different habitats.

So why do human beings keep fragmenting each other by territory, then nationality, then pieces of paper? I’ve been trying to find my place in the world for a while, trying to understand if there’s a place I belong or not. But I guess the world is my place, so that’s why I fight for it as a whole.

That’s what I wanted to say today.


Clara‘s activism for the past seven years ranges from directing short documentaries in Brazil to representing youth in several international conferences. She holds a master’s in International Development and Public Policy and a bachelor’s in Business and Creative Economy, having researched about deep sea mining and education for sustainable development.

It Takes a Woman!

Christine  |  She/Her

It Takes a Woman!

Mtwapa, Kenya
Mangroves

Session 4: January 30, 2023

My childhood was full of fun, with a lot of pleasant memories. I always say, with a lot of pride, that I am a coastal girl. I loved going to the beach, just to smell the ocean and hear the waves crashing. I loved to see the blue color that gives the ocean its beauty, and I would see huge green trees, covering vast tracts of land along the coastline. I would learn later that those were mangroves.

The ocean was home to me. I felt a sense of belonging, and I could always run there whenever I was out of school. That place gave me a lot of peace, a lot of serenity.

(Before I forget, one thing—I used to have a favorite type of fish. In Swahili, it is known as kiboma. I would literally cry if my mom did not cook kiboma.)

But with time, I realized that the beauty of the place I called home was fading. Fishermen were cutting trees to make boats for themselves, the smell was changing due to piles of trash dumped close to the ocean, and the saddest thing I experienced was that, after some time, I was no longer able to get kiboma. I would ask my mom, “What’s wrong? Why am I not able to eat my favorite fish?”

And she’d tell me, “I went to the market, but the fishermen say it’s not available anymore.”

As a coastal girl, according to our culture here, education was not really given a lot of priority. Most of the time, we would sit by the fire, listening to stories that our mother told us. Because we were next in line: once she had to tend to the other kids, we were supposed to take on the role of cooking and preparing food for the family. I, however, liked school so much and was utterly curious about what was happening around us and our environment. I didn’t have someone who could tell me what, exactly, was happening—that our actions are actually doing a lot of harm to our coastal way of life.

And then one day, it happened. I bagged an award for the best essay on the importance of trees. Our English teacher was impressed and gave me a newspaper, and that was around the time that a Kenyan woman named Wangari Maathai won the Nobel Peace Prize. So I read through her story, and, as young as I was, I felt like I really connected to her: to the fact that she was able to use her power. She was able to use her voice. She wanted to change her community, and she was awarded a Nobel Peace Prize because of her relentless efforts in environmental protection. There was one time when she was in braids, and she was protesting, and security forces actually pulled the braid from her hair. You can imagine how painful that was, but it didn’t stop her. I admired that courage, and I told myself that I wanted to be like her, because the beauty of this place I call home is fading.

I wanted to be able to bring back this beauty. I wanted to be able to speak up for the ocean, and speak up for the trees being cut down on a daily basis. I wanted to be able to educate my community about the issues of climate change. And the story of this woman carved a path for me, because by the time I joined secondary school, I already knew my calling was in environmental conservation. As much as my parents wanted me to do a different course, I was adamant.

There’s a saying in Swahili: “nabii hatuzwi kwa.” It means that a prophet is never appreciated in his home country. But this woman, Wangari Maathai, changed the story. She gained a lot of recognition, and through her work, lots of women and girls started learning about environmental conservation—not just nationally, but in my community. You can imagine the smile that came to my face the time that I went back home for the school holiday break and my mother told me about planting trees. “My people are becoming aware of the responsibility to take care of our shared planet,” I thought to myself.

Wangari Maathai has inspired multiple generations, bringing forth a movement of women and girls who want to use their voices, use their power, in climate action. I’m one of them. And there are a lot of us, who are doing so much in our communities. But that does not mean that we need to slow down. If we do not change our activities and our attitudes, then we are going to have more plastic than fish. We are not close to conquering in the climate war. As a young person from the Global South, I think that we need more collaborative action to bring climate justice to people like us, who are really most affected by the emergency.

Drawing on my experiences as an environmentalist throughout the years, I founded an organization. Known as Wiblue—for “Women in Blue Economy”—our main objective is to put women at the center of environmental conservation by letting them take lead roles in shaping environmentally sustainable societies. We also hope to develop the next generation of women conservationists who will advocate for the climate resilience of communities in coastal areas.

We say that we are able to make the light brighter by lighting each other’s candles. And just as Wangari Maathai’s story has inspired me, I have pledged my commitment to create positive change in my community through climate action, and I hope I will be able to inspire a lot of other girls and women, too.

Thank you.


Christine is a marine conservationist and a proponent of the Blue Economy committed to building a climate resilient future for coastal communities. She has been instrumental in promoting sustainable tourism, campaigning for clean seas and encouraging the use of nature based solutions in the restoration of marine and coastal ecosystems.

People Like You, Who Raise Their Hands

Manar  |  She/Her

People Like You, Who Raise Their Hands

Gabes/Tunis, Tunisia
Mediterranean Forests, Woodlands, and Scrub

Session 3: December 12, 2022

I grew up in the city called Gabes, in South Tunisia, on a gulf of the Mediterranean. Since I was young, I have been that curious girl in the family who always wants to learn and explore. I felt a pleasure in learning new subjects, new languages. I always had my head inside a book. I’ve also always felt a special connection to nature. I grew up in my grandma’s house, surrounded by family, and we would all go to harvest olives together and make our own olive oil, and we went often to the beach. I have so many memories of being in nature with my family.

I also happen to be Imazighen—the indigenous people of North Africa. I didn’t grow up in Matmata, the Imazighen village in the Gabes region, but my grandpa did. He moved to the city, so that’s where I grew up. I’ve always been surrounded by the culture, but I grew up with this desire to learn more about my identity and my community. I grew up seeing my grandma weaving palm-tree leaves into bags and traditional clothing. I don’t know if you’ve been to Tunisia, but if you have, you’ve probably seen the woven hats worn during special occasions.

I think everyone can look back on their life and find a moment where you think, “Yeah. That happened for a reason.” For me, when I was in ninth grade, I had an English teacher, and I was her favorite student. One day, she was teaching us about climate change. (In Tunisia, we learn about climate change in ninth grade, and it’s not a science subject. It’s an “English” subject.) And I got furious when I saw that we were reading a report from 2001. I raised my hand, and I asked, “Why are we reading a report that’s eight years old when there are new numbers each year? And why are we learning about this global issue only as an English subject? It’s really frustrating!”

And that English teacher, she knew that I had something. After class, she called me, and she said, “Manar, I know exactly how you feel. Unfortunately, in our education system, there are a lot of things that should be changed. We teachers are not satisfied with the resources we have to give to students.” And she told me, “People like you, who raise their hands, are here to make that change.” She told me that there was an environmental club at the school, and she said that if I worked with them, I might find a community of people who could understand me.

So I said OK, and I got into the club. And I found the community that I wanted. I felt heard. One time, we had a movie screening of Before the Flood, with Leonardo DiCaprio. And after watching that movie, we tried to brainstorm how we could take that knowledge into real action, local action, even if it’s small. And we chose plastic pollution specifically. We thought that if we could treat this problem, or even just educate our local community about it, we could make an impact. And suddenly, I remembered the bags made of palm tree leaves that I grew up watching my grandma make. We thought, “This could be the solution. This is inspired by our tradition. It’s part of our identity. Why are we even using plastic bags when we have this alternative?” So we used those traditional bags as a way to make a contribution in our community and educate them about the global crisis.

And my action didn’t stop there, because I understand that to tackle the global crisis, we need a bigger change, change in the whole system that depends on fossil fuels. Our project got selected for a national award, and that led to opportunities for me to travel and learn more about climate science. And I knew: “This is my purpose. This is what I want to do for the rest of my life. I want to bring this knowledge home.”

So I went back, and I started to work on local mobilization. Influenced by Greta Thunberg, I started skipping school every Friday and traveling alone to Tunis, the capital. I was 17 years old. My dad would wake up at three in the morning to drop me at the station, so I could take the five-hour journey by van to attend a climate march and then go back the same day, because my parents would go crazy if I slept in the capital! I was just a small girl, holding her poster inside the van. But I felt fulfilled. I had actually made my voice heard. I found a community of people organizing marches, and I met up with Youth for Climate Tunisia. I went on to university, and I founded a youth-led organization called EcoWave.

So the bags were just the beginning. Little did I know, when I joined that club in ninth grade, that I would soon be leading a team of youth changemakers around the country. Little did I know that within a few years, I would be standing at the United Nations headquarters in New York and at other high-level international conferences, representing the voice of my community. Being able to be in those spaces, talking about youth, especially in the Middle East/North Africa region, is so important. We’re not well represented. So just being there, being a voice, gives me hope—even if we’re still lacking a lot of things that should really be addressed.


Manar is a climate activist from Tunisia, North Africa and a National Geographic Young Explorer. She has used her influence to work with governmental leaders and business executives to make sustainable decisions. Growing up in Gabes, Tunisia along the Mediterranean coast, Manar was always passionate about the oceans. She was designated as a Global Leader of Solutions To Plastic Pollution by Algalita Marine Research and Education and is a Conrad Innovator. Manar is outspoken about the role and power of youth in creating solutions to global challenges.